Tuesday, September 9, 2008

Abstract flower


This painting is in the same series as Blue Flower. I think close-up paintings of flowers can appear to be a pure abstract of the form, color and tone of the flower. Colorful Mum was triggered by a vase full of brilliant chrysanthemums. Instead of trying to capture the beauty of the full arrangement, I chose to zoom in on part of one flower to fill this canvas.

Colorful Mum, Acrylic on canvas board, 8"X10", Not for sale

Sunday, September 7, 2008

Backlit flower


Flowers are a great source of painting ideas and have inspired some of the most beautiful paintings. I did Blue Flower a while ago when I was also experimenting with close-up photography of flowers. I did some sketches and then settled on a single flower with light coming in from behind which served to highlight the center of the flower and also brought out the variations in the petals.

Blue Flower, Acrylic on canvas board, 18"X24", (Not for sale)

Wednesday, September 3, 2008

Minimal brushstrokes painting style


An exercise I have found quite useful in developing a looser style of painting is to do a painting with the fewest strokes possible. This requires minimal working of paint on the surface leading to a freshness of color that can be easily destroyed in just a few more strokes.

In Reflections, I have used a rather common scene of trees reflected in the water to demonstrate a minimal brushstrokes approach. The palette is restricted (ultramarine blue, sap green, cadmium yellow and titanium white) and I used the biggest brush I could force myself to pick! After all, this is a small canvas and the temptation was to reach for a small brush. The bigger brush allowed for the canvas to be covered quickly and with the self-imposed limit on brushstrokes, there was no choice but to leave the paint alone after it was down on the canvas.

Reflections, Acrylic on canvas board, 5”X7” (Not for sale)