The past few weeks I have mainly been posting abstracts though, as the regular readers know, I am most interested in where I began my painting journey - landscapes. So even while making a number of abstracts, I have kept doing landscape work which I expect to post during the next few weeks.
Winding River tries to synthesize the use of varying tones to create depth and form in the picture with impressionist brushwork that is high-energy and very visible. Blending is kept to a minimum and despite layers of color being applied the background colors, including bits of the white canvas, can still show through.
Winding River, Acrylic on canvas board, 11"x14", $75
The use of geometric shapes in art can probably be traced back to ancient cultures even though its adoption as a modern art form is more recent. Two-dimensional shapes defined by color, texture and location on the canvas can provide an interesting way to describe our world.
Urban Panes is a composite of the myriad colors and shapes of windows that can be found in a city environment. The appearance of these windows can change in infinite ways through different times of day, by season and in changing weather conditions. For this piece I worked against a black background and layered paint mixed with small amounts of texturing gel.
Urban Panes, Acrylic on stretched canvas, 16"x20", $75
Even the most unformed abstract paintings seem to have inspiration in some shape or form. I am finding that my past experience of close-up photography of flowers and later doing close-up flower paintings is leading me into abstracts that reflect organic shapes like ones that might be found in nature.
Molten is part of my ongoing exploration of abstracting organic shapes drawn with primary colors and simple highlights to draw and hold the eye. The paint is laid on in a couple of layers using both a brush and various sized knives. I can almost see a flower pushing to break free of the canvas..........
Molten, Acrylic on stretched canvas, 18"x24", $100 (unframed)
